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\r\nAn exhibition by Richard Keith Wolff
\r\ncurated by Martyn Willis.
\r\n
\r\nEXHIBITION only until Friday 21 Oct
\r\nMon to Frid, 11am to 6pm
\r\n
\r\nMOVIE POSTER ART GALLERY
\r\n1 Colville Place, London W1T 2BG
\r\n020 7637 7441 www.mpag.co.uk
\r\n
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\r\n
\r\nHoward Jacobson went on to win the Booker Prize for Fiction 2010 for: The Finkler Question, published by Bloomsbury.","photographer":"Richard Keith Wolff","width":400,"id":3150665,"height":600,"takendate":"27.11.08","payment_groups_id":"","server_id":1,"link":"_photo_3150665.html","src":"HowardJacobson_rkw9332web.jpg","home":0,"purchase_instruction":"","galleries_id":130423,"gallery":1});
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\r\n
\r\nThis Totem Pole may seem unexpected on a bank of the Grand Union Canal in Berkhamsted, so far from where it originates in Kwakiutl, British Columbia, Canada. It was commissioned by John Alsford a director of the J Alsford Ltd, timber merchants and importers in 1968. It stands on the site of what was previously one of J Alsford Ltd's wood yards, but now the gardens of the redeveloped apartments Alsford Wharf. The red cedar wood Totem Pole was carved and designed by the Kwaguilth artist Chief Henry Hunt of the Kwakiutl tribe, with assistance from Tony Hunt his son. Castle Street, Berkhamsted, Hertfordshire, UK, September 2008
\r\n
\r\nThe master carver and designer Chief Henry Hunt, trained under the master carver Mungo Martin who both worked at the Royal British Columbia Museum in Victoria. He is highly regarded as an exponent of monumental Southern Kwakiutl sculpture, his work is exhibited internationally.
\r\n
\r\nNotes by Jason Henry Hunt (grandson of Henry Hunt & great grandson of Mungo Martin) discussing the Totem Pole at Berkhamsted as seen from the photograph.
\r\n
\r\n\"The figures are:
\r\n
\r\nBottom: Sisiutl- He is a mythical two-headed sea serpent. He is somewhat of a protector so is often depicted on house fronts. In this photo you can see the \"middle\" head at the bottom and then the serpent body going up the side of the pole with a head attached to it. On the other side would be the other head.
\r\n
\r\nNext: Hawkman Sun- You can tell by the rays protruding from his face. It is essentially the essence of light. We have figures for most things in our environment not just animals. There are also Moon Masks and Star Masks.
\r\n
\r\nOn top: Raven- Usually on top of most poles is a bird of some kind. The Raven is many things including the creator and also known as the trickster. He is probably the most powerful figure we have as he is also known to have brought light to the world.
\r\n
\r\nThis pole possible depicts how the Raven brought light to the world and now the Sisiutl is protecting it. It's more complex than that but this is a simplification.\"
\r\n
\r\n
\r\n\"The poles have numerous purposes but the most common is displaying your family crests. Each figure is looked upon as property of the particular family that owns the rights to it. Numerous families may own rights to a certain figure through marriage and so on. Other poles are put up as memorial poles , marriage poles and welcome figures. Up until recently, carvers like myself would have to stick to what our family owned.\" Jason Henry Hunt (grandson of Henry Hunt)
\r\n","photographer":"Richard Keith Wolff","width":400,"id":2823154,"height":600,"takendate":"22.09.08","payment_groups_id":"","server_id":1,"link":"_photo_2823154.html","src":"TotemPoleBerko_rkw7050web.jpg","home":1,"purchase_instruction":"","galleries_id":130421,"gallery":1});
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\r\n
\r\n
\r\n“I realised at a very early age that the small things often have the biggest impact” Willard Wigan \/ micro sculptor","photographer":"Richard Keith Wolff","width":400,"id":5245304,"height":600,"takendate":"12.12.09","payment_groups_id":"","server_id":1,"link":"_photo_5245304.html","src":"WillardWigan_rkw1434web.jpg","home":0,"purchase_instruction":"","galleries_id":130421,"gallery":0});
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\r\n
\r\nPlease see Gallery: Guantánamo tenth anniversary; for more images ","photographer":"Richard Keith Wolff","width":600,"id":8992404,"height":400,"takendate":"07.01.12","payment_groups_id":"","server_id":1,"link":"_photo_8992404.html","src":"Mourning-Mothers-Of-Iran_rkw0093.gif","home":0,"purchase_instruction":"","galleries_id":130342,"gallery":0});
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\r\n
\r\nOn Tuesday morning 7th January 1969 I found myself sitting in the back of a London Taxi cab chatting with Canadian freelance music TV reporter Hugh Curry. Pulling up to 23 Brook Street in Mayfair, to Jimi Hendrix’s London home, I could see the film crew had just arrived and were now unloading their film equipment. Jimi let us in and we all went up the narrow stairs to the top flat where he lived. Hugh Curry was scheduled to interview Jimi Hendrix for a TV programme and had asked me along to take a few additional stills photographs.
\r\n
\r\nKathy Etchingham, Jimi Hendrix's English girlfriend, at this period, left shortly after our arrival, it was now quite crowded with our crew, so she went upstairs to the top floor of the apartment. The film crew set up their equipment, while Hugh Curry made further notes for his interview and I took a photograph of Jimi Hendrix standing in front of the mantel place. The biggest room was the bedroom come living room on the lower floor of the apartment, with its double bed covered in colourful traditional Indian prints, so this was the most suitable room for the filming the interview.
\r\n
\r\nWhen the filmed interviewing began Jimi Hendrix was sitting on the bed, Hugh Curry was sitting in an armchair just behind the camera, while I sat nearer on the floor leaning against the wall but also discretely out of shot. In these days this kind of external TV filming for was mostly taken on 16mm film cameras. Because the film magazine needed to be changed when the film ran out, about every seven minutes, this created a break when the camera assistant had to change the film magazine over to a new one.
\r\n
\r\nDuring these breaks the interviewer Hugh to relax would light up a herb cigarette take a few long meaningful puffs, then get up and take it over to Jimi who was on the bed, Jimi would repeat the process and then get up to bring it over to me, I was sitting on the floor leaning against the wall. Looking back on this, when I recall looking up and seeing Jimi Hendrix handing the cigarette down to me, it seems sort of an amazing mental image. Then in time honoured fashion in due course I would get up my self and take the cigarette back to Hugh in full circle and so on, until the film crew, who abstained (I have to admit they were true professionals) were ready to continue filming.
\r\n
\r\nIn one of these breaks between the filming of the interview, I took a few more stills photographs of Jimi lying on the bed leaning over him with my camera as I took them. One time he looked like he was asleep with his eyes closed, another he seemed playful and with his big smile seemed amused by being photographed at this high point and another time he smiled like he was in nirvana, which is kind of what it felt like.
\r\n
\r\nIn one of the breaks from filming, Jimi Hendrix picked up his guitar and offered to play it. The film crew's continuity lady suggested, technically, correctly but very unhelpfully that it would create a continuity jump cut, I thought an issue that could have been addressed in a number of ways afterwards and anyway who cares about film syntax against listening to Jimi Hendrix playing guitar. Jimi Hendrix looked perplexed by the brief discussion between her and Hugh and put his guitar down, the moment had passed on.
\r\n
\r\nAt the end of the interview, the film crew were packing up all their equipment when I heard a knock at the entrance door to the flat, I went down to see who was there. I open the door to see ominous looking men in dark suits, I asked them to wait, then shut the door on them. When I returned, because I was feeling kind of dreamy, I forgot all about them. A while later Jimi asked me who it was that had come to the door, when I explained, he looked for the first time a little bit anxious and went down to see them immediately.
\r\n
\r\nRichard Keith Wolff
\r\n
\r\nPost Script:
\r\n
\r\nHugh Curry interview of Jimi Hendrix, was made for the Canadian Broadcasting Corporation (CBC) and it was broadcast in a Canadian television programme called \"Through The Eyes Of Tomorrow\" hosted by Stephen Foster, the following month on 23rd of February 1969. Hugh Curry was a former radio disk jockey for CHUM-FM Toronto.
\r\n
\r\nPost Post Script:
\r\n
\r\nJimi Hendrix flat at 23 Brook Street, Mayfair, is now an office for Handel House Museum which is next door. Handel the baroque composer lived next door at 25 Brook Street from 1723 to 1759. It has been reported that Jimi Hendrix upon learning that the composer Handel had lived next door, however over 200 years before, went to the local record shop and bought some records including Handel's Water Music and Messiah. An official blue plaque to commemorate Jimi Hendrix has been installed on the building quite near the next door blue plaque honouring Handel. ","photographer":"Richard Keith Wolff","width":400,"id":1959530,"height":618,"takendate":"07.01.69","payment_groups_id":"","server_id":1,"link":"_photo_1959530.html","src":"hendrix_rkw03LOGO.jpg","home":1,"purchase_instruction":"","galleries_id":130422,"gallery":1});
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\r\n
\r\nPeace Walk by, Occupy London; Stop the War Coalition (StWC); and others peace campaigners, starts out initially from the Bank of Ideas, Sun Street near Finsbury Square the second Occupy London site, via the Bank of England, then St Paul's Cathedral the original site of Occupy London, for speeches. Then the campaigners proceed to the peace camp at Parliament Square.The peace walk opposes the UK's current involvement in wars around the world, including Afghanistan, and future threats of war, including the prospect of war against Iran. London, 18th December 2011
\r\n
\r\nPost Script:
\r\n
\r\nPlease note the above invoice does not include the harm and destruction caused by war and the reconstruction thus needed; the deaths caused, the injuries caused, the terror caused by war. The breakdown of law, order, infrastructure, water supply, sanitation, medical facilities, power, availability of food and other essentials services and materials. The additional corruption caused by the chaos of war. The displacement of people with refugees having to leave their homelands. Unexploded bombs and long term pollution from radiative military materials left in the country. The human suffering to the families in the countries attacked, it should be noted a huge number of children have been slaughtered and maimed in the War in Iraq and Afghanistan. Also the multiplication of enemies cause by inflicting the above harm and injustices, increases our military and security requirements to even higher levels. It should added that putting our troops in harms way, causes death, injury and long term metal health problems to them also.
\r\n
\r\nSee PEACE WALK GALLERY for the full walk","photographer":"richard keith wolff","width":400,"id":8937665,"height":600,"takendate":"18.12.11","payment_groups_id":"","server_id":1,"link":"_photo_8937665.html","src":"PeaceWalk_rkw0478.gif","home":0,"purchase_instruction":"","galleries_id":130342,"gallery":0});
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\r\n
\r\nfoot note:
\r\n
\r\nIran has grown powerful, emboldened and indeed a perceived threat, thanks largely to the advantage of having had USA and UK military services fighting its old enemy Iraq, for it.
\r\n
\r\nSee PEACE WALK GALLERY for the full walk","photographer":"Richard Keith Wolff","width":600,"id":8919675,"height":400,"takendate":"18.12.11","payment_groups_id":"","server_id":1,"link":"_photo_8919675.html","src":"PeaceWalk_rkw0035.gif","home":0,"purchase_instruction":"","galleries_id":130342,"gallery":0});
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\r\n
\r\nI was asked to photograph John Lennon and Yoko Ono by Hugh Curry, Canadian former CHUM-FM Toronto Radio disk jockey now on an assignment as a television reporter to interview John Lennon & Yoko Ono, for the Canadian Broadcasting Corporation (CBC). My role was to take stills photographs of these musicians, although the TV program would be made from the recorded and filmed interviews, while my stills were in effect not strictly speaking required for this purpose, just an after thought I think by Hugh Curry.
\r\n
\r\nWhen we arrived at Twickenham Film Studios, it was a crisp bright sunny day. We passed two tall, slender, attractive blond girls with long legs in miniskirts, hanging around John Lennon's Mercedes car. Fans hoping to see him - the very person we were soon meeting.
\r\n
\r\nWith our small film crew now gathered we entered the Studio. I recall seeing a young man with ginger hair shining a brass trumpet. The lighting was quite low key. The Beatles were sitting on some seats chatting and the film director Lindsay-Hogg had a cigar firmly if theatrically placed in his mouth. His instructions to his camera operators was to film the Beatles from the moment they arrived to the moment they left. Looking back in my memory, the filming now seems like a very early reality show, way before its time, because the cameras were almost continually filming everything the Beatles were doing or not doing.
\r\n
\r\nJohn Lennon and Yoko Ono joined our small crew which had now completed setting up the equipment to the side of the Beatles set which was basically more or less just space. The interview was sound recorded on a nagra in sync with the filming on a 16mm Arriflex camera. Because the 16mm 400 foot film magazines only last a bit less than seven minutes. the film magazines needed changing and reloading a number of times during the interview. This created the time for me to take the stills photographs. John and Yoko were very natural in front of my camera, so photographing them was a very organic process.
\r\n
\r\nAt one point Mal Evans, the Beatles road manager and friend of John Lennon, came over casually to John and you could feel their friendship as they chatted. I think Mal Evans was just discretely checking all was well, because there were no body guards, no fuss, it was just totally relaxed, just like we were all one family.
\r\n
\r\nIn the interview Hugh Curry had a good rapport with John & Yoko who talked about their artwork, about their performance art with its intrinsic humour, about the music work they did together and the avant-garde scene. John Lennon mentioned that in the same way that Yoko Ono was not always easily welcomed in the pop music world, he felt he also was not always welcomed in the avant-garde scene, when he performed with her.
\r\n
\r\nEarlier when interviewer Hugh Curry was preparing his questions on the way to the studio he asked me if I had any question to ask John Lennon because he needed one more question! I thought because John Lennon and Yoko Ono were involved with a number of art forms, clearly music, but also Lennon writing and drawing for two books, visual art, conceptional art (before its time) and avant-garde performance art, so I suggested Hugh Curry ask John Lennon what kind of artist he was? When asked, John Lennon said: \"I do not see any difference between doing different types of art. Do you!\"
\r\n
\r\nAt the end of the interview Peter Sellers who happened to be filming in another part of Twickenham Studios, popped his head tentatively in through the studio door to see the Beatles. John Lennon on noticing Sellers, welcoming him in a friendly manner \"Hello Peter\" and took a bemused Peter Sellers over to the other Beatles who were sitting and chatting in another area of the studio, while as always, on this project, being filmed.
\r\n
\r\nAll I can say is, that it was enormously inspiring seeing the Beatles working method and also especially so listening to what John Lennon and Yoko Ono had to say. Their attitude to art, moved way on. Earlier, we had been at a friend of John & Yoko's, where we had the opportunity to see a witty Yoko Ono piece of art: which was a sheet of glass suspended in mid air, a few feet back from the window, with words engraved on it \"to see the sunrise through\".
\r\n
\r\nRichard Keith Wolff
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\r\n
\r\n* The black tape line is on the edge of the SOCPA Zone as understood by the artist.
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\r\n
\r\npost script:
\r\n
\r\nThese displays in the peace demonstration were confiscated by seventy eight police from Brian Haw in Parliament Square, in a dramatic 2.25am raid on the 23rd of May 2006
\r\n
\r\nPost post script:
\r\n
\r\nThese displays in the peace demonstration were secretly and lovingly reconstructed as part of artist Mark Wallinger’s “State Britain” winner of the Turner Prize exhibition installation artwork at Tate Britain from 15th January to 27 August 2007, then toured the world.
\r\n
\r\n
\r\nPost post post script:
\r\n
\r\nBrian Haw’s peace demonstration continues considerably reduced to approximately three meters (yards) across, three meters up and one meter back is tolerated by the police. The scale is reduced but the message of peace remains significant.
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\r\nI was running nearly late for a photographic assignment. It was raining heavily so I took the pedestrian underpass. As I looked down at the wet floor to avoid slipping, I noticed the reflection in a puddle of water showing the exit with these two men on each side, one man working on his portable laptop computer while waiting for the rain to abate and a third man in the centre is walking. The round circle in the centre is a security mirror on the facing wall. I photographed this image hastily as I rushed past. I changed the colours in this print version to express the mood of the place at that moment as it felt to me.
\r\n
\r\nRichard Keith Wolff
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\r\n
\r\nfoot note:
\r\nIt is a custom and a common practice for Native Americans to be carving wood on the streets of Seattle, a city that has a sizable creative indigenous population. First Nation Tribal Americans often carry around short bladed wood caving knives in Seattle. Indeed Seattle is named in honor of an Indian Chief Seattle (Si'ahl) of the Suquamish tribe.
\r\n
\r\n\"Even the rocks that seem to lie dumb as they swelter in the sun along the silent seashore in solemn grandeur thrill with memories of past events connected with the fate of my people..\"Chief Seattle
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\r\nLegal Foot Note:
\r\nThe peace campaigner on arriving back on the ground was apprehended by the Metropolitan Police on 'suspicion of aggravated trespass'. Released in the late evening from Barking and Dagenham Custody Centre Police Station. He was bailed to return to the same police station on 23rd September, on the condition that he does not enter the London Borough of Newham, in case he 'commit further offences'. No charge has been made at the time of his release","photographer":"Richard Keith Wolff","width":600,"id":8470669,"height":400,"takendate":"13.09.11","payment_groups_id":"","server_id":1,"link":"_photo_8470669.html","src":"ProtesterDSEi_rkw0175.gif","home":0,"purchase_instruction":"","galleries_id":130342,"gallery":0});
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\r\n
\r\nIronically next to the Red horse of War on the front of the red London Bus is the route name ‘Waterloo’ regarded as one of Britain’s great battle victories.","photographer":"Richard Keith Wolff","width":500,"id":3673966,"height":333,"takendate":"01.04.09","payment_groups_id":"","server_id":1,"link":"_photo_3673966.html","src":"Horsemen_rkw2885web.jpg","home":1,"purchase_instruction":"","galleries_id":224396,"gallery":1});
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\r\n
\r\nA colourful character, Curtis Howe Springer (1896 -1985) settled on this Soda Dry Lake in the Mojave Desert in 1944. Springer constructed a spa with mineral pools, a private airstrip nicknamed ‘Zyport’ a number of buildings included a church and a castle. He wanted to give the place a name with no proper vowels that was so relaxing that it sounded like sleep, and so named this place \"Zzyzx\".
\r\n
\r\nHe broadcasted daily radio station lectures promoting the health benefits of his potions of vegetable juices, spa facilities and his folksy philosophy. In 1974 Springer was arrested for unauthorized use of federal land and alleged violations of food and drug laws. He spent a short time in prison and his spa was confiscated. The spa area is now the site of the California State University (CSU), Desert Studies Center, field station. Zzyzx, 1999
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\r\n
\r\nHow I met and when I photographed Quentin Crisp was while working on a British Film Institute (BFI) short film as the assistant director on a film that he was performing in. This stills picture were taken when Quentin Crisp was relaxing, between filming. He was not dressed in his customary flamboyant dapper style at this point because he was dressed for his acting role in the film. It was a time when Quentin Crisp was not very well known, except by a small theatrical and literary circle of people, so he came as quite a surprise, a delightful one. When his autobiography \"The Naked Civil Servant\" was later adapted for a television film in 1975 he then became quite famous or as he preferred to say infamous. At the end of the days shooting Quentin Crisp would have the cast and crew in stitches with his witty sense of humour, his anecdotes, his particular way of seeing and describing things, his philosophy, he was immensely funny, entertaining, also very kind and gentle. Aldeburgh, Suffolk, England 1970. Photograph by Richard Keith Wolff
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\r\nVALUE FOR MONEY (1970) Production Company: British Film Institute, commissioned by director of BFI Production Board: Bruce Beresford; Director: David Blest; Lighting Cameraman (DOP): Gale Tattersall; Producer: Franc Roddam; Assistant Director: Richard Keith Wolff; Cast Members: Quentin Crisp, Kenneth Seeger, John Donaldson, Elizabeth Mellor, Richard Wolff; Casting: Barrie Stacey; Continuity: Barbara Deehan. Location: Aldeburgh, Suffolk, England, 35mm B&W Film, Running time: 40.0 mins
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\r\nEccentric British writer, actor and personality Quentin Crisp author of:
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\r\n * Lettering for Brush and Pen, (1936), Quentin Crisp and A.F. Stuart, Frederick Warne Ltd. Manual on advertising fonts.
\r\n * Colour in Display, (1938) Quentin Crisp, 131 pages, The Blandford Press. Manual on the use of colour in window displays.
\r\n * All This And Bevin Too (1943) Quentin Crisp, illustrated by Mervyn Peake, Mervyn Peake Society ISBN 0-9506125-0-2. Parable, in verse, about an unemployed kangaroo.
\r\n * The Naked Civil Servant, (1968) Quentin Crisp, 222 pages, HarperCollins, ISBN 0-00-654044-9. Quentin Crisp's witty and wise account of the first half of his life.
\r\n * Love Made Easy, (1977) Quentin Crisp, 154 pages, Duckworth, ISBN 0-7156-1188-7. Fantastical, semi-autobiographical novel.
\r\n * How to Have a Life Style, (1975), Quentin Crisp, 159 pages, Cecil Woolf Publishing, ISBN 0-900821-83-3. Elegant and insightful essays on charisma and personality.
\r\n * Chog: A Gothic Fantasy, (1979), Quentin Crisp, illustrated by Jo Lynch, 165 pages, Methuen, ISBN 0-413-39490-5. Dark novel about the household of a ruinous stately home.
\r\n * How to Become a Virgin, (1981) Quentin Crisp, 192 pages, HarperCollins, ISBN 0-00-638798-5. Second installment of autobiography, describing the fame his first book and its dramatisation brought.
\r\n * Doing It With Style, (1981) Quentin Crisp, with Donald Carroll, illustrated by Jonathan Hills, 157 pages, Methuen, ISBN 0-413-47490-9. A guide to thoughtful and stylish living.
\r\n * The Wit and Wisdom of Quentin Crisp, (1984) Quentin Crisp, edited by Guy Kettelhack, Harper & Row, 140 pages, ISBN 0-06-091178-6. Compilation of Crisp's essays and quotations.
\r\n * Manners from Heaven: a divine guide to good behaviour, (1984) Quentin Crisp, with John Hofsess, Hutchinson, ISBN 0-09-155810-7. Insightful instructions for compassionate living.
\r\n * How to Go to the Movies (1988) Quentin Crisp, 224 pages, St. Martin's Press, ISBN 0-312-05444-0. Movie reviews and essays on film.
\r\n * The Gay and Lesbian Quotation Book: a literary companion, (1989) edited by Quentin Crisp, Hale, 185 pages ISBN 0-7090-5605-2. Anthology of gay-related quotes.
\r\n * Resident Alien: The New York Diaries (1996) Quentin Crisp, 225 pages, HarperCollins, ISBN 0-00-638717-9. Diaries and recollections from 1990-94.
\r\n * Dusty Answers, (unpublished) edited by Phillip Ward. Quentin Crisp's final collection of writings, which will include his collected poetry and script of his one-man show.
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\r\nFILM:
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\r\n
\r\nJohn Watkiss, work includes concept art for the recently released feature film “Sherlock Holmes” for producer Lionel Wigram; directed by Guy Ritchie, staring Robert Downey Jr, Warner Bros. Pictures
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\r\nCharlie Watts (Rolling Stones)
\r\n
\r\nWhen we arrived in the South London understated basement, a working music rehearsal room, Charlie Watts was drumming away with a Brazilian drummer, and you could see his love of percussion was wider than rock music. Afterwards when Charley Watts spoke with us he came across as down to earth and pretty relaxed.
\r\n
\r\nWhen asked if it bothered him when the fans screamed (a fad at the time) during the Rolling Stones concerts, shouldn't they be listening to the music! Charley Watts said \"No it doesn't bother me, I quite like it when they do\".
\r\n
\r\nWhen talking about the Rolling Stones unusual psychedelic sixth album 'Their Satanic Majesties Request' he said it seemed to be an album that just sort of slipped out.
\r\n
\r\nWaterloo, London, 1968. photograph by Richard Keith Wolff","photographer":"Richard Keith Wolff","width":400,"id":2040865,"height":607,"takendate":"","payment_groups_id":"","server_id":1,"link":"_photo_2040865.html","src":"CharlieWatts_rkr01webw.jpg","home":1,"purchase_instruction":"","galleries_id":130422,"gallery":1});
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\r\n
\r\nA colourful character, Curtis Howe Springer (1896 -1985) settled on this Soda Dry Lake in the Mojave Desert in 1944. Springer constructed a spa with mineral pools, a private airstrip nicknamed ‘Zyport’ a number of buildings included a church and a castle. He wanted to give the place a name with no proper vowels that was so relaxing that it sounded like sleep, and so named this place \"Zzyzx\".
\r\n
\r\nHe broadcasted daily radio station lectures promoting the health benefits of his potions of vegetable juices, spa facilities and his folksy philosophy. In 1974 Springer was arrested for unauthorized use of federal land and alleged violations of food and drug laws. He spent a short time in prison and his spa was confiscated. The spa area is now the site of the California State University (CSU), Desert Studies Center, field station. Zzyzx, 1999
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backgrounds[8989925] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"Pete the Temp (poet)","location":"Trafalgar Square, London","photo_ref":"","description":"Pete the Temp (poet) reciting his entertaining but politically insightful spoken word poetry at a public rally marking the tenth anniversary of the opening of the illegal and inhuman US military prison camp at Guantánamo Bay (opened on the 11th of January 2002) and Obama's broken election promise and Presidential disobeyed order, to close Guantánamo. The demonstration is organised by the London Guantánamo Campaign (LGC), Save Shaker Aamer Campaign (SSAC), Stop the War Coalition (StWC) and Campaign for Nuclear Disarmament (CND). Speakers will include: Victoria Brittain (writer), Sarah Ludford (Liberal Democrat MEP), Louise Christian (solicitor for a number of GTMO prisoners and their families), Kate Hudson (CND), Aaron Kiely (NUS), Pete the Temp (poet), Lindsey German (StWC), Steve Bell (CWU), Cortney Busch (Reprieve), Joy Hurcombe (SSAC), Jean Lambert (Green Party MEP), Shaun Brown (LGC), introduced by David Harrold (LGC). Trafalgar Square, London, UK 7th January 2012","photographer":"Richard Keith Wolff","width":600,"id":8989925,"height":400,"takendate":"07.01.12","payment_groups_id":"","server_id":1,"link":"_photo_8989925.html","src":"Pete-the-Temp_rkw0323.gif","home":0,"purchase_instruction":"","galleries_id":473566,"gallery":0});
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backgrounds[8992398] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"Jean Lambert (MEP)","location":"Trafalgar Square, London","photo_ref":"","description":"Jean Lambert (Green Member of the European Parliament for London) speaks at a public rally marking the tenth anniversary of the opening of the illegal and inhuman US military prison camp at Guantánamo Bay (opened on the 11th of January 2002) and Obama's broken election promise and Presidential disobeyed order, to close Guantánamo. The demonstration is organised by the London Guantánamo Campaign (LGC), Save Shaker Aamer Campaign (SSAC), Stop the War Coalition (StWC) and Campaign for Nuclear Disarmament (CND). Speakers will include: Victoria Brittain (writer), Sarah Ludford (Liberal Democrat MEP), Louise Christian (solicitor for a number of GTMO prisoners and their families), Kate Hudson (CND), Aaron Kiely (NUS), Pete the Temp (poet), Lindsey German (StWC), Steve Bell (CWU), Cortney Busch (Reprieve), Joy Hurcombe (SSAC), Jean Lambert (Green Party MEP), Shaun Brown (LGC), introduced by David Harrold (LGC). Trafalgar Square, London, UK 7th January 2012. photograph by Richard Keith Wolff ","photographer":"Richard Keith Wolff","width":600,"id":8992398,"height":400,"takendate":"07.01.12","payment_groups_id":"","server_id":1,"link":"_photo_8992398.html","src":"Jean-Lambert_rkw0057.gif","home":0,"purchase_instruction":"","galleries_id":473566,"gallery":0});
backgrounds[2038404] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"Jim Capaldi \/ Traffic","location":"Chelsea, London","photo_ref":"","description":"Jim Capaldi (1944 - 2005), percussionist and lyricist with the music group 'Traffic'. I was visiting Noel Redding (bass guitarist for the Jimi Hendrix Experience and Noel Redding's other group \"Fat Mattress\" in a flat in Fulham Road, when Jim Capaldi with Chris Wood, both from \"Traffic' dropped in on a friendly visit to see Noel Redding. Jim Capaldi came across as impressive but at the same time laid-back. Jim Capaldi an influential musician but he later becoming involved in wider issues including poverty and the environment. Fulham Road, Chelsea, London 1968 photograph by Richard Keith Wolff","photographer":"Richard Keith Wolff","width":400,"id":2038404,"height":596,"takendate":"","payment_groups_id":"","server_id":1,"link":"_photo_2038404.html","src":"JimCapaldiTraffic_rkw01web.jpg","home":1,"purchase_instruction":"","galleries_id":130422,"gallery":1});
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\r\n
\r\nPlacard reads: “Drop Books Not Bombs” ","photographer":"Richard Keith Wolff","width":500,"id":3674020,"height":333,"takendate":"01.04.09","payment_groups_id":"","server_id":1,"link":"_photo_3674020.html","src":"Demonstrators_rkw2927web.jpg","home":1,"purchase_instruction":"","galleries_id":224396,"gallery":1});
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\r\n
\r\n
\r\nThe picture is of a Banksy painting, given by the enigmatic stencil artist to the Brian Haw Parliament Square peace campaign. Before the invasion of Iraq the proposed reason for going to war was initially because of September 11th. When it was noted that there was no connection between Iraq and ‘September 11th’, the reason was changed ‘to remove the weapons of mass destruction’. When the invasion was complete and the ‘weapons of mass destruction’ proved to be nonexistent as the evidence had always indicated, the reasons were discreetly altered retrospectively ‘to remove President Saddam Hussein.’ When Saddam Hussein was barbarically executed after a questionable trial, the British public were horrified. The reason then shifted ‘to create a democracy’. When the democratic Iraqi Parliament voted for the British troops to leave by an earlier date than agreed the British Prime minister and Iraq President, the Iraqi Parliamentary decision was disregarded it was reported because of legal niceties. That leaves the search was a reason for the invasion, ongoing. Banksy painting seems to suggest an alternative reason plus consequence, succinctly in one frame. Parliament Square, London, 4th April 2006","photographer":"Richard Keith Wolff","width":500,"id":3396233,"height":333,"takendate":"04.04.06","payment_groups_id":"","server_id":1,"link":"_photo_3396233.html","src":"Banksy_rkw318web.jpg","home":1,"purchase_instruction":"","galleries_id":206881,"gallery":1});
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backgrounds[2016227] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"View from a window","location":"Hastings","photo_ref":"","description":"Hastings sunrise ","photographer":"richard keith wolff","width":400,"id":2016227,"height":600,"takendate":"","payment_groups_id":"","server_id":1,"link":"_photo_2016227.html","src":"windowView_rkw467web.jpg","home":1,"purchase_instruction":"","galleries_id":130425,"gallery":1});
backgrounds[7650412] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"Tom Newman (1950-2011)","location":"Soho, London","photo_ref":"","description":"Tom Newman (1950-2011), animator, Noel Street. Soho, London, UK, 1992
\r\n
\r\nPS: Tom Newman came originally from South Africa but mainly based himself in London with his family. He played lead guitar in a number of animation groups, it is quite common for animators to play music, the two crafts being very closely related.
\r\n
\r\nTom Newman: Filmography includes:
\r\n
\r\nOi! Get Off Our Train (1998) (TV) [animator] ?... aka \"The Animal Train\" - USA
\r\nThe Magic Sword: Quest for Camelot (1998) [additional clean-up animator] ?... aka \"Quest for Camelot\" - USA (original title)
\r\nBalto (1995) [key assistant animator]
\r\n\"The World of Peter Rabbit and Friends\" [assistant animator] ? - The Tale of the Flopsy Bunnies and Mrs. Tittlemouse (1995) TV episode [assistant animator] ? - The Tailor of Gloucester (1993) TV episode [assistant animator] ? - The Tale of Tom Kitten and Jemima Puddle-Duck (1993) TV episode [assistant animator]
\r\nThe Village (1993) [animator]
\r\n\"ABC Weekend Specials\" [key animator] ? - The Legend of Lochnagar (1993) TV episode [key animator]
\r\nFreddie as F.R.O.7. (1992) [assistant animator] ?... aka \"Freddie the Frog\" - USA (video title)
\r\nDuckTales: The Movie - Treasure of the Lost Lamp (1990) [assistant animator]
\r\nSeaside Woman (1980) [trace and paint artist]
\r\nand many other productions and also commercials
\r\n
\r\n
\r\n
\r\n","photographer":"Richard keith wolff","width":333,"id":7650412,"height":502,"takendate":"","payment_groups_id":"","server_id":1,"link":"_photo_7650412.html","src":"TomNewman_rkw55650110.gif","home":0,"purchase_instruction":"","galleries_id":156312,"gallery":0});
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\r\n","photographer":"Richard Keith Wolff","width":400,"id":8988754,"height":600,"takendate":"07.01.12","payment_groups_id":"","server_id":1,"link":"_photo_8988754.html","src":"GuantanamoAnniversary_rkw0227.gif","home":0,"purchase_instruction":"","galleries_id":473566,"gallery":0});
backgrounds[7847662] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"Pajé Tchydjo","location":"Bloomsbury, London","photo_ref":"","description":"Tchydjo, an Indigenous Brazilian healer, Medicine Man, from the Kariri Xoco tribe of Alagoas in Northern Brazil, gives a lecture at London University, School of African and Asian Studies. The talk is hosted by Native Spirit Festival and SOAS Students Union. Pajé Tchydjo tribe Kariri Xoco are part of the large Fulni-O group of indigenous tribes who have maintained their cultural traditions in spite of challenges. The Kariri Xoco call themselves “Filhos de Jurema”, sons of a native tree which is used in some of their ceremonies. Tchydjo's talk inspired much interest and respect amongst the students. Bloomsbury, London, UK, 07\/05\/2011
\r\n","photographer":"Richard Keith Wolff","width":333,"id":7847662,"height":500,"takendate":"07.05.11","payment_groups_id":"","server_id":1,"link":"_photo_7847662.html","src":"Tchydjo_rkw0052.gif","home":0,"purchase_instruction":"","galleries_id":130423,"gallery":0});
backgrounds[6297522] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"R2-D2","location":"Seattle","photo_ref":"","description":"R2-D2 movie star robot from George Lucas motion picture saga, Star Wars film. R2-D2 reproduction displayed at the Science Fiction Museum (SFM). Seattle ","photographer":"Richard Keith Wolff","width":400,"id":6297522,"height":600,"takendate":"22.09.10","payment_groups_id":"","server_id":1,"link":"_photo_6297522.html","src":"R2-D2_rkw1081web.jpg","home":0,"purchase_instruction":"","galleries_id":130424,"gallery":0});
backgrounds[2233627] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"Chris Wood \/ Traffic","location":"Chelsea, London","photo_ref":"","description":"Chris Wood ( 1944 - 1983) flute and Saxophone, with the rock group \"Traffic\". I was visiting Noel Redding (bass guitarist with the Jimi Hendrix Experience) and his other group \"Fat Mattress\" in a flat on Fulham Road, when Chris Wood and Jim Capaldi, both musicians from the music group \"Traffic\" popped in on a friendly visit to see Noel Redding and the members of Fat Mattress who were around at the time. Chris Wood came across to me as enigmatic. Fulham Road, Chelsea, London 1969, photograph by Richard Keith Wolff","photographer":"Richard Keith Wolff","width":400,"id":2233627,"height":600,"takendate":"","payment_groups_id":"","server_id":1,"link":"_photo_2233627.html","src":"ChrisWood_Traffic_rkw1web.jpg","home":1,"purchase_instruction":"","galleries_id":130422,"gallery":1});
backgrounds[2416202] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"Mike Stuart \/ The Wall","location":"London","photo_ref":"","description":"Michael Stuart, Animation director on \"The Wall\" Performed by Pink Floyd. Mike Stuart, London, July, 1993
\r\n
\r\nMichael Stuart's work in the animation field has ranged from commercials, television series, concert material to feature films. Stuart’s work has included animation on TV Cartoons “Beatles” series 1964; for Halas and Batchelor “The Lone Ranger” series 1967; returned to TVC for “Yellow Submarine” the Beatles feature film as a key animator 1969; for Potterton Productions (Montreal) “Happy Prince” 1971; Trickfilm Studios and Grand Slamm Animation, on commercials 70-72.
\r\n
\r\nMike Stuart worked with “Pink Floyd” and Gerald Scarfe - animation designer and director on the projects, on the animation for their shows “Wish you were here” and “Animals”; Mike Stuart animated on “The Wall” the live show and later the feature film directed Alan Parker 77-81.
\r\n
\r\nMike Stuart animated the Galaxy song in Terry Gilliam “The Meaning of Life” 1982; before forming with Jill Brooks the company, Stuart Brooks Animation 1983 – 1993. Directed, from ‘script to screen’ two half hour episodes of Beatrix Potters “Samuel Whiskers” (Shown at the Edinburgh Film Festival 1993), “Pigling Bland” (Nominated for a BAFTA 1998) at Stuart Brooks Animation Ltd.
\r\n
\r\nMike Stuart animation directed for Murakami Wolf Prod in Dublin, “Teenage Mutant Ninja Turtles” 1991. Animation director for TVC on “Wind in the Willows” a Carlton TV production, 1995 London. Directed for Ginger Gibbons at Grand Slamm Childrens Films, all 78x10 minute episodes of 'KIPPER' 1998 - 2000. It was nominated for a BAFTA Award three times and won once - in 1998. Script development, writing and illustrating a Children’s book. Designing a Carnival Float on the theme of Global warming for the Viareggio Carnival in Italy 2007.
\r\n","photographer":"Richard Keith Wolff","width":500,"id":2416202,"height":332,"takendate":"","payment_groups_id":"","server_id":1,"link":"_photo_2416202.html","src":"MikeStuart_rkw72733web.jpg","home":1,"purchase_instruction":"","galleries_id":156312,"gallery":1});
backgrounds[2418748] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"Ged Haney \/ Pearly Oyster Productions","location":"Tower Hamlets, London ","photo_ref":"","description":"Ged Haney, animator-director inspecting a piece of art work from his film, “The Kings of Siam” at Pearly Oyster Productions. Tower Hamlets, London, 1st July 1993","photographer":"Richard Keith Wolff","width":500,"id":2418748,"height":333,"takendate":"01.07.93","payment_groups_id":"","server_id":1,"link":"_photo_2418748.html","src":"GedHaney_rkw72730016web.jpg","home":1,"purchase_instruction":"","galleries_id":156312,"gallery":1});
backgrounds[2048724] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"Michael Culver","location":"London","photo_ref":"","description":"Michael Culver, actor and peace campaigner, who is remembered by fans of the Star Wars film saga for playing Captain Needa in The Empire Strikes Back; he played a major part in, the David Lean film, “A Passage to India” as a bigoted police inspector. He is also known for his theatre stage work and by television viewers for his roles including, Major Erwin Brandt in the 1970s BBC drama Secret Army; and he played the Prior Robert in the television series, Cadfael. Stage work includes playing Sir William MacPherson in The Colour of Justice,at the Tricycle Theatre. London, 3rd January 2007 ","photographer":"Richard Keith Wolff","width":400,"id":2048724,"height":600,"takendate":"03.01.07","payment_groups_id":"","server_id":1,"link":"_photo_2048724.html","src":"MichaelCulver_rkw237web1.jpg","home":1,"purchase_instruction":"","galleries_id":130424,"gallery":1});
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backgrounds[7212708] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"David Harrold","location":"Battersea, London","photo_ref":"","description":"David Harrold, actor, recites a poem by former Guantanamo detainee Moazzam Begg, from the book poems from Guantanamo The Detainees Speak (University Of Iowa Press) at a rally to Free Shaker Aamer, the last British resident who is still held illegally in Guantanamo after more than 8 years. The campaigners march from Nine Elms past the site of the proposed future London US Embassy, in Battersea, ironically in the very same borough of London where detainee Shaker Aamer is from and his family remain awaiting his return. London 11th December 2010. photo by Richard Keith Wolff","photographer":"richard Keith Wolff","width":500,"id":7212708,"height":333,"takendate":"11.12.10","payment_groups_id":"","server_id":1,"link":"_photo_7212708.html","src":"DavidHarrold_rkw0247.gif","home":0,"purchase_instruction":"","galleries_id":389836,"gallery":0});
backgrounds[2016242] = clik.newPhoto({"item_price":"","section_code":"gallery","caption":"Soho Square","location":"London","photo_ref":"","description":"Soho Square reflected in a car window.
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\r\n
\r\nPost script:
\r\nSalim Akbar (1974 - 2010), a member of the Save Shaker Aamer Campaign (SSAC) Steering Committee, died on 17\/12\/2010 from a heart condition. Akbar was also a member of the management committee of Battersea Islamic Culture and Education Centre, a graduate from a London University and a respected campaigner for human rights and against injustice. ","photographer":"Richard Keith Wolff","width":500,"id":7209269,"height":333,"takendate":"11.12.10","payment_groups_id":"","server_id":1,"link":"_photo_7209269.html","src":"ShakerAamerMarchD_rkw0420.gif","home":0,"purchase_instruction":"","galleries_id":389836,"gallery":0});
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\r\n
\r\n\"Introduced in 1995 by Bill Clinton's administration, the use of the CIA's extralegal system of extraordinary rendition has accelerated since 2001 and has resulted in the kidnap, transfer to third countries and torture of tens of thousands of individuals. Covering a global network of secret prisons and places such as Guantánamo Bay and Abu Ghraib, detainees are held incommunicado and without access to legal or medical professionals. A system of detention and cruel and inhuman forms of punishment has grown up outside of the known confines of international law, leaving detainees vulnerable and exposed to the caprices of their captors and without access to due process, even after their release. With international complicity, including that of the British government, a whole new system of lawlessness has come into being and has been sanctioned by international silence.\" London Guantanamo Campaign
\r\n
\r\nphoto Richard Keith Wolff
\r\nProduced by London Guantánamo Campaign
\r\nlondon.gtmo@googlemail.com
\r\nwww.guantanamo.org.uk
\r\n
\r\n
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\r\n
\r\nfoot note:
\r\n
\r\nIran has grown powerful, emboldened and indeed a perceived threat, thanks largely to the advantage of having had American and UK military services fighting its old enemy Iraq, for it.","photographer":"Richard Keith Wolff","width":400,"id":8925463,"height":600,"takendate":"18.12.11","payment_groups_id":"","server_id":1,"link":"_photo_8925463.html","src":"PeaceWalk_rkw0044.gif","home":0,"purchase_instruction":"","galleries_id":469500,"gallery":0});
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\r\nHISTORICAL foot note: The kingdom Bahrain, dates all the way back to the 14th of February 2002, when the then Emir of Bahrain, Hamad ibn Isa Al Khalifa, the dictator of Bahrain adopted the affectation of calling him self 'King'.
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\r\n
\r\nPlacards include the slogans:
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\r\n“Hands off my taxes Darling”
\r\n“Queers against capitalism and other nasty things”
\r\n“Resistance is fertile”
\r\n“Nuclear Arms can’t give Cwtches or make tea”
\r\n“Do you G have a flag?”
\r\n
\r\n
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\r\n
\r\nPlacard says: “Fulfill your obligations now – fight climate change, poverty, injustice & suffering.” ","photographer":"Richard Keith Wolff","width":500,"id":3674471,"height":333,"takendate":"01.04.09","payment_groups_id":"","server_id":1,"link":"_photo_3674471.html","src":"GreenHorse_rkw3473028web.jpg","home":1,"purchase_instruction":"","galleries_id":224396,"gallery":1});
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\r\n
\r\nEnglish language placards read:
\r\nGaddafi the culprit of Abusleem Prison Massacre.
\r\nDown to All Dictators.","photographer":"Richard Keith Wolff","width":500,"id":7425488,"height":333,"takendate":"17.02.11","payment_groups_id":"","server_id":1,"link":"_photo_7425488.html","src":"Anti-Gaddafi_rkw0067.gif","home":0,"purchase_instruction":"","galleries_id":130342,"gallery":0});
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\r\n17\/02\/2011 ","photographer":"Richard Keith Wolff","width":500,"id":7425498,"height":333,"takendate":"17.02.11","payment_groups_id":"","server_id":1,"link":"_photo_7425498.html","src":"Anti-Gaddafi_RKW0077.gif","home":0,"purchase_instruction":"","galleries_id":130342,"gallery":0});
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\r\n
\r\nfoot note: Demonstration placard shows Colonel Gaddafi & Tony Blair shoulder to shoulder in a displayed print, in the lower left centre, taken at a time that Blair was befriending the dictator in the preparations for the military invasions of Afghanistan and later Iraq.","photographer":"Richard Keith Wolff","width":500,"id":7425572,"height":333,"takendate":"17.02.11","payment_groups_id":"","server_id":1,"link":"_photo_7425572.html","src":"Anti-Gaddafi_rkw0204.gif","home":0,"purchase_instruction":"","galleries_id":130342,"gallery":0});
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\r\n
\r\nEnglish language placards read:
\r\n42 Years is Enough.
\r\n1270 Innocent People Killed In Abu Sleem Prison.
\r\nRelease our political prisoners.
\r\nWe Want Freedom.
\r\nWe want Justice and Freedom.
\r\nRespect Human Rights.
\r\nButcher Of The Masses.","photographer":"Richard Keith Wolff","width":500,"id":7425777,"height":333,"takendate":"17.02.11","payment_groups_id":"","server_id":1,"link":"_photo_7425777.html","src":"Anti-Gaddafi_rkw0239.gif","home":0,"purchase_instruction":"","galleries_id":130342,"gallery":0});
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\r\n
\r\nEnglish language placards read:
\r\nNo to dictatorship No to Gaddafi
\r\nFree Libya
\r\nGaddafi a cold blooded terrorist plaguing Libya since 1969","photographer":"Richard Keith Wolff","width":500,"id":7425786,"height":333,"takendate":"17.02.11","payment_groups_id":"","server_id":1,"link":"_photo_7425786.html","src":"Anti-Gaddafi_rkw0264.gif","home":0,"purchase_instruction":"","galleries_id":130342,"gallery":0});
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\r\n
\r\nEnglish language placards read:
\r\nGaddafi's Victims (illustrated).
\r\n42 Years Is Enough.
\r\n
\r\n
\r\n","photographer":"Richard Keith Wolff","width":500,"id":7425837,"height":333,"takendate":"17.02.11","payment_groups_id":"","server_id":1,"link":"_photo_7425837.html","src":"Anti-Gaddafi_rkw0269.gif","home":0,"purchase_instruction":"","galleries_id":130342,"gallery":0});
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